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Oriyomi Pamela Otuka

National Museum of Unity, Ibadan, Nigeria / National Commission for Museums and Monuments (NCMM)

Curator (Deputy Director) / Zonal Head, South West Museums

Country: Nigeria

ITP Year: 2026

Biography

Oriyomi Pamela Sosu Otuka is a distinguished Nigerian museum professional, cultural heritage advocate, curator, scholar, and public speaker with a remarkable record of leadership in heritage management, exhibition development, and community-centred cultural preservation. She currently serves as the Curator and Head of Station at the National Museum of Unity, Aleshinloye, Ibadan, under the National Commission for Museums and Monuments (NCMM), where she provides visionary direction in collections management, exhibition design, audience engagement, and institutional growth.

In addition to her curatorial leadership, Oriyomi is the Zonal Head of South West Museums in Nigeria, where she coordinates curatorial activities, fosters professional collaboration, and drives strategic development across multiple museum institutions within the region. Her leadership continues to strengthen museum practice, visibility, and impact in Nigeria’s cultural and tourism sectors.

A passionate advocate for both tangible and intangible cultural heritage, Oriyomi’s work is deeply rooted in bridging academic scholarship with grassroots engagement. Her curatorial and research interests span marginalized cultural narratives, environmental heritage, indigenous knowledge systems, and the ethics of representation in exhibition practice. She is particularly known for her commitment to amplifying “silenced stories” and re-positioning museums as active agents in addressing contemporary societal issues.

Oriyomi has delivered numerous lectures and conference papers on critical themes including climate vulnerability and cultural heritage, community-based indigenous technologies as tools for sustainability, and ethical considerations in exhibition planning. Her thought leadership continues to shape discourse around heritage sustainability, museum ethics, and cultural resilience both within Nigeria and internationally.

Beyond institutional work, Oriyomi is a dynamic public intellectual and digital heritage communicator. She is widely recognized for her consistent and engaging daily social media writings on museums and cultural heritage—using accessible storytelling to educate, inspire, and connect diverse audiences to the value of museums. Through these daily reflections, she has cultivated a growing community of heritage enthusiasts and positioned the museum as a living, relatable space within contemporary society.

As a result of her outstanding contributions to Nigeria’s tourism and cultural sector, Oriyomi was honored with the Iconic Woman of the Year 2025 Award by the National Orientation Agency—a federal government institution dedicated to public education, civic awareness, advocacy, and the promotion of national unity. This recognition underscores her impact as a cultural leader and her role in advancing heritage as a tool for national development.

In the course of her career development and professional training, Oriyomi has gained significant international exposure, participating in exhibition installations, conferences, and capacity-building programmes across the United Kingdom, United States, China, and Australia. These global engagements have enriched her professional practice and broadened her contributions to international museum discourse.

Her professional engagements also extend to cultural programming, policy conversations, and tourism development initiatives. She actively contributes to professional networks and alumni associations, serving as Secretary of her alumni set and supporting initiatives that promote cultural awareness and national development.

Oriyomi’s passion for heritage is complemented by her love for dance, which she embraces as both a form of cultural expression and personal healing—reflecting her belief in the living, embodied nature of culture.

Through her work, Oriyomi Pamela Otuka remains a leading voice in redefining the role of museums in society—championing inclusivity, sustainability, and the enduring relevance of cultural heritage in a rapidly changing world.

At the British Museum

During her time on the International Training Programme, Oriyomi was based in the Africa, Oceania and Americas Department. Her UK Partner Placement was spent at Norfolk Museums Service.